{"id":1439,"date":"2010-03-26T14:30:00","date_gmt":"2010-03-26T14:30:00","guid":{"rendered":"https:\/\/writingya.com\/?p=1439"},"modified":"2018-11-20T05:32:39","modified_gmt":"2018-11-20T05:32:39","slug":"okay-i-was-quiet-when-i-learned-tha","status":"publish","type":"post","link":"https:\/\/writingya.com\/?p=1439","title":{"rendered":"Sequel Rambles"},"content":{"rendered":"<p>Okay, I was quiet when I learned that <a href=\"http:\/\/shelf-life.ew.com\/2010\/03\/09\/hilary-duff-to-write-a-ya-series\/\" target= _blank>Hilary Duff<\/a> was going to be writing YA novels. I thought, &#8220;Okay. Maybe she&#8217;s a <a href=\"http:\/\/www.motherreader.com\/search\/label\/BACA\" target= _blank>BACA<\/a> candidate, but she still kinda counts as a young adult; maybe &#8230;&#8221; well, maybe I decided I&#8217;m too busy to say anything.<\/p>\n<p>Then the plot(z?)-producing book packaging dynamo that is ICM came up with <a href=\"http:\/\/www.publishersweekly.com\/article\/453744-Meet_Carrie_Bradshaw_Without_the_Sex_or_the_City_.php?nid=2788&#038;source=title&#038;rid=17138345\" target= _blank>The Carrie Diaries<\/a>. Yes. Because you know you&#8217;re dying to know what Carrie Bradshaw of HBO&#8217;s <i>Sex in the City<\/i> was like as a young adult.<\/p>\n<p>*Le sigh.*<\/p>\n<p>I don&#8217;t really know what it is &#8212; maybe it&#8217;s something in the air, like Spring? But it&#8217;s bringing out a crop of young adult and children&#8217;s sequels. McSweeney&#8217;s <a href=\"http:\/\/www.mcsweeneys.net\/links\/lists\/16MelanieMinzes.html\" target= _blank>were right on the money<\/a> with their sequels, and of course, we will all always remember with great fondness last Spring&#8217;s <a href=\"http:\/\/saintsandspinners.blogspot.com\/2009\/03\/unnecessary-sequels-that-never-were.html\" target= _blank>Unnecessary Children&#8217;s Sequels That Never Were<\/a>. Because I don&#8217;t link movies with books (not in my head, anyway), I&#8217;m mostly okay with the second TRON and the Tim Burton treatment of <i>Alice in Wonderland<\/i> looks sufficiently crazed to match up to the original. But I have to admit that I&#8217;m getting a bit leery of the &#8220;old novel\/modern sequel&#8221; thing &#8212; people are apparently looking so hard for a sure thing that they&#8217;re coattail riding in hopes of making a new hit. <\/p>\n<p>Now, <i>Peter Pan in Scarlet<\/i> apparently was okay &#8211; I just haven&#8217;t had the time to read it yet &#8212; and I&#8217;ve heard great things about Hilary McKay&#8217;s sequel to <i>The Little Princess<\/i>. (The trend of pairing Austen novels with monsters don&#8217;t count as anything at all. It&#8217;s like equating the Sunday comics with the newspaper.) But in many cases, there&#8217;s no apparent need for a sequel, and it still seems like writers are searching old books instead of their imaginations for new fodder.<\/p>\n<p>Case in point? A Brit named Andrew Motion is apparently now writing the sequel to <a href=\"http:\/\/www.guardian.co.uk\/books\/2010\/mar\/26\/andrew-motion-treasure-island-sequel\" target= _blank>Stevenson&#8217;s <i>Treasure Island<\/i>.<\/a> Everyone crows, &#8220;best loved classic!&#8221; when referring to the book&#8230; so why would anyone think it needed a sequel? It just seems more like a marketing decision than a novelist&#8217;s immediate thought. (Or, could we call it fanfic?) Because the original is so well-known, there&#8217;s all kinds of publicity, and the book is therefore already half-sold&#8230;<\/p>\n<p>I love books with planned sequels &#8212; trilogies and the like, if they&#8217;re done well. But this 127 years later sequel just seems like it&#8217;s an idea doomed to fail.<\/p>\n<p>Via <a href=\"http:\/\/bookshelvesofdoom.blogs.com\/bookshelves_of_doom\/2010\/03\/npr-books-coverage-now-with-snark.html#comments\" target= _blank>Bookshelves of Doom<\/a> comes the intriguing news that NPR&#8217;s <a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2008\/08\/a_word_about_our_name_1.html\" target= _blank>Monkey See<\/a> blog is blogging&#8230; Stephanie Meyers&#8217; TWILIGHT. Trying to understand pop culture and the hysteria generated by this series, the bloggers <a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/2010\/03\/the_writing_style_of_twilight.html?ft=1&#038;f=1032\" target= _blank>actually bring up some fairly salient points<\/a> about plot and writing style &#8212; although I am annoyed by their questions, which repeatedly veer along the lines of, &#8220;Well, this is for teen girls, right? So does it have to be strongly written?&#8221; I&#8217;d like to invite them to read some Kathleen Duey and <i>take that back<\/i>. Grr. Tonight they end the whole thing <a href=\"http:\/\/www.npr.org\/blogs\/monkeysee\/books\/\" target= _blank>with a live chat which will be hilarious<\/a>, no doubt.<\/p>\n<p>Apologies &#8211; don&#8217;t know where I first saw this link, but it&#8217;s on author Brian Yansky&#8217;s blog. An author <a href=\"http:\/\/brianyansky.blogspot.com\/2010\/03\/rejection-of-rejection.html\" target= _blank>on receiving a rejection<\/a>, writes back rejecting it. Not that it does him any good. Whether you want to screech or flail when you&#8217;re rejected, how are you with writing critique? Yat Yee&#8217;s decided she needs a few good <a href=\"http:\/\/yatyeechong.blogspot.com\/2010\/03\/would-you-like-orlando-bloom-or-ralph.html\" target= _blank>inner editors<\/a>. Ralph Fiennes, to start with&#8230;<\/p>\n<div align=\"center\"><a href=\"http:\/\/www.flickr.com\/photos\/wishiwerebaking\/4450411643\/\" title=\"Finnieston 171\" target=_blank><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/farm3.static.flickr.com\/2725\/4450411643_9f43af364f.jpg\" title=\"Finnieston 171\" alt=\"Finnieston 171\" width=\"333\" height=\"500\" \/><\/a><\/div>\n<p>Happy Blustery Friday!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Okay, I was quiet when I learned that Hilary Duff was going to be writing YA novels. I thought, &#8220;Okay. Maybe she&#8217;s a BACA&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[15],"class_list":["post-1439","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-random-notes-and-errata"],"_links":{"self":[{"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/posts\/1439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/writingya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1439"}],"version-history":[{"count":1,"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/posts\/1439\/revisions"}],"predecessor-version":[{"id":6029,"href":"https:\/\/writingya.com\/index.php?rest_route=\/wp\/v2\/posts\/1439\/revisions\/6029"}],"wp:attachment":[{"href":"https:\/\/writingya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1439"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/writingya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1439"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/writingya.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}