{"id":1546,"date":"2009-08-24T10:47:00","date_gmt":"2009-08-24T10:47:00","guid":{"rendered":"https:\/\/writingya.com\/?p=1546"},"modified":"2018-11-20T05:31:26","modified_gmt":"2018-11-20T05:31:26","slug":"answering-shannon-hale-while-reviewing","status":"publish","type":"post","link":"https:\/\/writingya.com\/?p=1546","title":{"rendered":"Answering Shannon Hale, while reviewing Lips Touch"},"content":{"rendered":"

<\/a><\/p>\n

“So, I wonder if book evaluation is trumping self-evaluation. I wonder if we get so caught up in gushing or bashing, shining up those stars or taking them away, that the reading experience is weighed too heavily on the side of the book itself and not enough on the reader. After all, reader is more important than book. Reader is the one who changes from reading, not the book. Reader is the one who lives the magic of storytelling.”<\/i>
– Shannon Hale<\/p><\/blockquote>\n

Hm.
That Shannon Hale, when she gets to thinking, goes deep. I’ve been reading her series of posts on How to Be a Reader<\/a>, and I’m going to both review a book and concurrently evaluate my reader experience in reading Lips Touch: Three Times,<\/i><\/b> by Laini Taylor. <\/p>\n

Full discolsure: Laini and I are blogosphere acquaintances, and I received her ARC, unrequested, from her very generous PR people, and thank you, Scholastic and Arthur Levine Books, verry, very much.<\/p>\n

And now, on to Ms. Hale’s questions:<\/p>\n

1. Do you find that the anticipation of reviewing the book has changed your reading experience?I have been waiting to read Lips Touch<\/i> since I saw a sneak peek of the artwork in the book. I knew it was about kisses, and about longing\/yearning, and frankly, I was a little scared to review it. A husband-and-wife dynamo duo writing this? Who am I to say if it was good or not? They have enough of that kind of stuff living in their brains already. I expected<\/i> to like it, but really didn’t expect to want to seriously review<\/i> it.<\/p>\n

2. Are you rating the book even as you read? Or do you wait until the end to sum it all up? Lips Touch<\/i> is a book you just READ. I wasn’t imagining the number of stars or pondering Laini’s word choices. I got sucked in immediately.<\/i><\/p>\n

3. Does knowing you’ll be reviewing it (or rating it) publicly affect which books you pick up in the first place? No. Not at all. I am cheered to be returning to my library roots, accepting fewer review copies from editors, since I’m so far away, and it’s …nice to just read what I choose.<\/i><\/p>\n

4. Does the process of writing the review itself change how you felt about the book? It forces me to be a lot less gushy and\/or a lot less snarky. I try to be, you know, coherent?<\/i> Which isn’t as easy as it sounds. I am a dyed-in the wool booknerd, so it’s hard not to go on and on about what I like, or what disappoints me. Reviewing forces me to consider what people need from a recommendation.<\/p>\n

5. What is your motivation to assign a rating to a book and declare it to the world? My motivation is mainly that I know how hard it is to find really good books. I try and find books that feature ethnically diverse characters, strong female rulebreakers and characters who buck the clich\u00e9s and stand up for themselves. That in itself is a tough and frustrating job that can leave you in tears, even online. I’d like to make people’s book searches easier, especially people who want their kids to read but don’t read a lot themselves, and don’t know where to start.<\/i><\/p>\n

6. If you review a book but don’t rate, why not? What do you feel is your role as reviewer? I don’t rate. I don’t do stars or numbers. I hate that on Goodreads; I tend to want to put “Really, really liked it!” on everything; the few times I’ve put that I didn’t like something, I got email telling me a.) I couldn’t say I hated something without a full review or b.) just asking me to elaborate. I only use Goodreads to keep track of books I read and to leave a “wishlist” for myself; I review to share what I’ve read with others. Those seem to me to be two different things.<\/i><\/p>\n

And onward, to the goods:<\/p>\n

Lips Touch<\/i> was… in a word, cosmic. I didn’t expect the level of literary excellence in it that I encountered. Not that Laini’s other books aren’t literary — Silksinger<\/i> and Blackbringer<\/i> are among our faves around here, but the audience for these stories is not exactly the same as the one for Magpie Windwitch. Lips Touch<\/i> reminds me of the short fiction to which I was introduced in grad school. Each story is carefully crafted, meticulously balanced between narrative and exposition, each phrase is rendered down to its most deft and spare. Themes of love, belonging, longing and yearning swirl like bewitching incense through tales of fantasy and fact, scavenged from the fiction and folktales of various cultures and histories (Zoroastrian and Hindu religions, and the British Raj, specifically) to create a thoroughly new and intriguing retelling. <\/p>\n

Contemporary lives mesh with the past in Goblin Fruit<\/i>, where the “urgent, unkissed” Kizzy takes a seductive taste of the danger which could be her undoing; silence reigns in Spicy Little Curses Such as These<\/i>, and who knows if the three little words Anamique longs to utter will complete the castle in the air she and James have built, or pull it all down? The satisfying, if strange world of fourteen-year-old Esme, and her mother, Mab, is shown to be a sham, as their lives are peeled apart by memory, malice, and the changing color of Esme’s left eye. There are shivers in these tales, provoked by both desire or dread, which is sometimes impossible to tell apart.<\/p>\n

Good and evil are explored — as are the edges of black and white and gray. Gray wins out, as good seems dismissed as no more than the luck of the draw, instead of divine sheltering, and evil is a fact all too readily apparent. The splash of color in such prosaic lives are the kisses — a brilliant, soul-searing red, which is echoed in the color choices for the cover.<\/p>\n

And the artwork — *oh.* The ARC only had one set of completed preliminary sketches for the first story, but there are at least three pages set aside per tale for introductory artwork. The sketches for Goblin Fruit<\/i> were phenomenal. Between the two of them, Laini and her artist-husband, Jim DiBartolo, have created an extraordinary volume of art. It’s truly beautiful, the stories will resonate with older YA and adults, and it’s coming out in October, so you only have two more months to wait. A perfect October Country read, folks.<\/p>\n

So, that’s my answers for Shannon, and my thanks to her for making me a more thoughtful reader\/reviewer, and that’s my enthusiastic review.<\/p>\n

Buy Lips Touch: Three Times<\/i> in October 2009 and beyond, from an independent bookstore near you!<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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